Horror Roundtable - Week Twenty-Nine

Name a person who was instrumental in getting you into horror.
I guess that would have to be Forrest J. Ackerman whose Famous Monsters inspired me.
Well, absolutely positively, that answer is George A. Romero. If it wasn’t for him, and the others involved in NIGHT OF THE LIVING DEAD, I probably wouldn’t be doing what I’m doing. NIGHT was my first project and George and Co. had faith enough in me to let my company restore his original classic (at the time, I was just a young guy right out of college, with no job!). From that point… the rest is history.
Sean T. Collins - Attentiondeficitdisorderly Too Flat
I’ll give credit to my buddy Dave (the cartoonist currenty known as Davey Oil). Davey turned me on to Clive Barker and, thanks to his intrepid-cum-suicidal project of renting his way alphabetically through the entire Blockbuster Video horror section, served as an excellent guide in terms of what to watch and, perhaps more importantly, what not to watch. He was also present at a certain cataclysmic viewing of The Blair Witch Project, my scariest horror-movie-related experience of all time.
Billy
My mom. Every friday night while my dad was at work me and her would site down together and watch the friday night horror movie on Fox 19 out of Buffalo. The only one I can really remember was SSSSSSSSS a movie about some crazy doctor feeding this guy his mad scientist snake juice so he can grow his arm back, but it goes a little too far and turns him into a snake. What was even better is my mom is petrified of snakes.
I have inspired by the standard list such as Tobe Hooper, Joe Dante, John Carpenter, and the like. However, the three that made me want to make flicks was Eric Stanze and the Polonia Brothers. All three indie and doing their own thing on zero budgets. It is because of them that I am following my wish to make low grade horror flicks.
Jeff O’ Brien
Corny as this sounds, my Dad. We used to stay up together on Friday nights and watch Nightmare Theatre out of Seattle. LOTS of old AIP films and Hammer stuff they played back in the mid Seventies. Sparked my love of drive in and exploitation cinema. He took me to the drive in and I recalle seeing Battle and Beneath The Planet of the Apes and he took me to my first R rated movie as a kid… Alien. Took me to Barbarella too but he made us leave when he found out it was no Star Wars. The horror writer that most influences my writing is Robert R McCammon.
My grandmother, who refused to allow me to watch Scooby Doo as a child, because it was witchcraft.
Back in perhaps sixth grade I had a friend named Reza who was really into horror movies. At the time a bunch of us would draw comics in the cafeteria and in study hall or in science class. Mine were rock-bottom the worst, but I would claim they were great, it was part of my gimmick. Reza’s were not bad, but were highly frowned upon by the two better comic artists, who hated him. They would even say my comics were better than his, though I knew they were not. Mine were 2-D, his at least used some techniques to show perspective.
Anyway, Reza and I would draw horror comics while the better comic artists drew superheroes. I remember Reza had a comic where a bunch of horror icons, Freddy, Jason, Jaws, etc, were killing off the Marvel heroes. Reza would also draw a character called “Teddy” who was a killer teddy bear. I would draw Teddy too. Why the hell not? I also stole a character, Ostler the parrot, from a kid who was very serious about his Ostler comic strip. He would put the copyright circle next to the “Ostler” title which I though was wicked lame. I said “check out OstLAR, he is not Ostler, he’s different and legal!” I drew “Ostlar” comics to piss him off. These were made to be disposable. I’d whip together something crappy to show him, Ostlar “copyrighted” and “trademarked”, and he would destroy my comic strips in a fit of rage.
Anyway, I got into the horror movies since I was into making violent drawings with Reza. It was an “us against them” thing. I guess the other comic drawers were into Batman and the direct-to-video Punisher movie. I don’t know.
David Z. - Tomb It May Concern
Chas. Balun all the way. His Deep Red and Gorezone articles are fantastic with his tone of gorehoundery and his editorial skills at bringing some really good writers together for his mags. I got my first copies of Cannibal Holocaust and Tenebre from him WAAAY back in the day. His taking of an article on Fulci by a younger and far less entrenched in trash film than I am now me for Deep Red Alert is still one of my favorite items in my fanzine collection. Of course, I actually used a different name on the damn thing, but it sure does read like a younger me, slightly dumber and less casual all at the same time. While I was already “into” horror movies, he made me insane for them.
Tim Paxton, Craig Ledbetter, Bob Sargent, Dave Kosanke, My Mom and Rev. Rick Sullivan, Steve Gerber, Fritz Leiber, Mike Ploog, Bernie Wrightson and all of the artists at Warren in the 70’s sure did help though.
Without a doubt, my mom. She’s a huge horror fan and taught me early on the joys of Hammer movies. My parents indulged my appetite by bringing me to the drive-in with them and keeping me current with Fangoria and Famous Monsters magazines. Mom and I still regularly talk about horror flicks, keeping each other up to date and trading titles…it’s awesome! So awesome, in fact, that I had to give my mom props for her influence on me in an interview.
My heavy metal baby sitter Karen.
I’d actually have to say my mom, probably. She would let me watch horror movies growing up, starting with the original Prophecy when I was 2. She always made sure I knew that it wasn’t real, so I didn’t grow up completely afraid of what I saw in the movies. She also got me into Stephen King, and bought me my first Richard Laymon book when we were on vacation one year. She’s also an avid zombie movie fan, herself.
Casey Criswell - Cinema Fromage
Dear old dad. Starting me out about age 12 with Faces of Death, we proceeded into dusk to dawn Drive-In marathons of Friday the 13th and lord knows what else. Without him reminding me constantly ‘It’s just a movie!’ I’d probably be traumatized by horror flicks and hooked on Lifetime Originals.
That would have to be my big brother Steve.
It was with him and all his friends that I still remember the nights of watching just crazy amounts of movies (mostly horror) that friends of mine wouldn’t even be allowed to see in years. Although I never understood why Steve wouldn’t EVER let me watch Watership Down, “It’s just about bunnies, Steve, C’mon!!!”.
I remember eventually watching Friday the13th (whichever number featuring Jason) with my school friends. Later that night they would be whimpering in terror due to the forthcoming nightmares, while I softly fell asleep to decapitated camper’s dancing around in my head. To this day, I still can’t be scared of anything I see on TV, thank you Steve.
You’re welcome, Gary. We’re all just a bunch of softies, aren’t we? This is definitely one of my favourite Roundtables so far. Thanks to everyone for sharing their stories, and thank you to all the people mentioned for helping to shape so many the impressionable minds. Do you have someone you’d like to give a shout out? Don’t be shy. Leave a comment.

January 12th, 2007 at 8:55 pm
I’d say it was a combination of factors.
1) Growing up in the 2 channel land of 1970s/80s Ireland was a blessing in some ways. The cheapness/stinginess of RTE (the national broadcaster) ensured that many of the films shown on TV were fairly ancient (presumably costing much less to show than contemporary fare). A decent percentage of these were classic horror or ‘b movie’ efforts which I always found absolutely thrilling. This was an early lesson in the appreciation of the ‘old’ and an awareness that ‘new stuff’ was not always going to be more sophisticated, entertaining, captivating etc.
2) I drifted away form the genre slightly during my early teen years but was brought back to it by my close friend Dave. He was a quiet, leather-trouser-wearing Doors fanatic who I got to know during art class. His drawings were always extremely gothic, moody, evocative and disturbing and I pegged him as a horror fan straight away. A few short conversations later and we were bosom pals - routinely visiting the local video shop to rent all things h-h-horror related: the good, the bad, the awful…
Happy days.
January 12th, 2007 at 11:12 pm
My dad, all the way. Every time a Hammer film came on late at night, he’d trill with his Scottish accent: “Oh! That’s a good one!” with a casual, intoxicating enthusiasm. And so I’d watch all the Draculas, Vampire Lovers, The Lost Continent… Strangely, our opinions came to differ on horror flicks, and one of my favourites, the 1963 version of The Haunting, he’d always found to be a stinker. Ah well.
January 13th, 2007 at 12:33 am
I wish I had a heavy metal babysitter named Karen.
Or ANY heavy metal babysitters, for that matter.
January 13th, 2007 at 3:36 am
Stacie, if you grew up in The Rose City, you had a heavy metal babysitter. Nagy recorded a podcast devoted to his heavy metal babysitter at the address below.
http://www.dougnagy.com/archives/2006/11/03/nagical-radio-21/
Thanks for the comments, fústar and John. It’s amazing how specific most everyone can be. I have a hard time remembering what I ate for lunch, but I can still recall walking home with my cousin and copies of Slithis and the Hills Have Eyes 2 tucked under our arms.
January 24th, 2007 at 2:56 pm
My Mom & Dad. Bless there souls now whereever they may be as they’ve both passed, but without them I certainly wouldn’t have been the lifelong horror genre fanatic that I turned out to be. Or, at the very least I wouldn’t have gotten the early start that I did.
But, they both had a great fondness for genre films & not only weened me on a terrific old show called THE FRIGHT NIGHT LATE SHOW that aired on our local channel 7 every Friday night at 11:30, but also took my two older sisters & I to the drive in almost every weekend during the summer months. With genre fare making up probably about 80% of what we went to see.
Actually, my very earliest memory of sitting down & watching a film in it’s entirety from start to finish, is of a telecast of Bava’s BLACK SUNDAY on that beloved late show back when I was about five.
My first clear drive in memory?
They’re from about the same time period when we all went to see a triple feature of THE RAVEN, THE TERROR & BLACK SABBATH. Which was fantastic, aside from the fact that I fell asleep about midway through the Bava film.
And, not only did they introduce me to a steady diet of horror/monster movies as a wee lad, but they also bought me all the Aurora monster model kits ( with my MOM being the one who’d assemble them & then lovingly, expertly paint them for me … ) as well as many issues of FAMOUS MONSTERS OF FILMLAND.
They were the best!
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