“Hi, iguana. I’m going to call him Jub Jub.”
A woman cursed to have snakes burst from her body is smuggled in from Mexico by her husband, a shaman who hopes to find a cure for her ailment in Los Angeles. Unfortunately, her condition deteriorates after they stow away onboard a train filled with unsuspecting passengers.
A co-worker watched Snakes on a Train a few days before me, and he attempted to warn me away from it. He also told me that if I happened to enjoy it he would lose all respect for me and begin to question my sanity.
It won’t be the first time, Rony. And I doubt it will be the last.
Snakes on a Train is a southern-fried exploitation rip-off on the cheap that steamrolls over every continuity gaffe, erratic pacing, shoddy make-up effect and bad CGI snake that make up the majority of its running time. Under all the trappings inherent in this low-budget shocker there beats a cold, black heart, one that gleefully pulls out nearly all the stops to make you either wince, give a high-five, or deliver both at the same time.
This is the type of movie where the sets are filthy and nearly everyone is a scumbag. Even the people who should have it together the most are using lightbulbs for bongs. Vulgar and sometimes strangely inappropriate swearing is scattered throughout, breasts are bared under duress, some of the only nice people in the film get torn apart and gratuitious homoeroticism runs rampant. I only wish my floors were sticky to add to the ambience.
The standout performance, and the glue that holds the whole thing together, is Ryanne Ruiz who plays the cursed snake woman. She grimaces and squirms so well that she actually manages to sell the lacklustre make-up, and she seemingly has the ability to make small sections of her face uncontrollably twitch independent of the rest of her body. But the most admirable aspect of her performance is her willingness to stuff her mouth full of snakes at the slightest provocation. By far the best special effect in the entire movie is watching Ruiz roll tiny, live snakes around with her tongue. This is precisely the kind of virtuoso performance that makes doing this blog worthwhile.
This isn’t a masterpiece by any means, and the shocks are more of the grossout type than from fear, but if you’re looking for a slutty, vicious lay of a popcorn flick you could do a whole lot worse.